翻訳と辞書
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・ Life Is a Song Worth Singing
・ Life is All You Get
・ Life Is Beautiful
・ Life Is Beautiful (1979 film)
・ Life Is Beautiful (2000 film)
・ Life Is Beautiful (2010 TV series)
・ Life Is Beautiful (2012 film)
・ Life Is Beautiful (2014 film)
・ Life Is Beautiful (2015 TV series)
・ Life Is Beautiful (disambiguation)
・ Life is Beautiful (Flow song)
・ Life Is Beautiful (Fred Astaire song)
・ Life Is Beautiful (music festival)
・ Life Is Beautiful (soundtrack)
・ Life Is Beautiful (The Afters album)
Life Is Beautiful (Tony Bennett album)
・ Life Is Beautiful (Vega4 song)
・ Life is beautiful virus hoax
・ Life Is Better with You
・ Life Is But a Dream
・ Life Is Calling My Name
・ Life Is Cheap... But Toilet Paper Is Expensive
・ Life Is Cool (film)
・ Life Is Dead
・ Life Is Elsewhere
・ Life is Elsewhere
・ Life is Eternal
・ Life is for Learning
・ Life Is for Living
・ Life Is Full of Possibilities


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Life Is Beautiful (Tony Bennett album) : ウィキペディア英語版
Life Is Beautiful (Tony Bennett album)

''Life Is Beautiful'' is an album released by Tony Bennett in 1975. It was named after the song written by Fred Astaire. The album was the first project of Bennett's own Improv label. The album was Bennett's tribute to the American songbook featuring songs of Cole Porter, Richard Rodgers, Irving Berlin and others. The pianist, Torrie Zito, wrote new arrangements for Bennett's large session orchestra. The album was reissued by Concord with the addition of a separately recorded 13-minute Cole Porter medley.〔(【引用サイトリンク】title=Musicweb International Review )
==Reception==

In a review of the album on AllMusic, John Bush believes Bennett "ten intriguing selections for his material...reflecting his 25 years of investigation into the American songbook." He calls Bennett's cover of Duke Ellington's "Reflections" the best track on the album in a "sweetly remembered, world-weary, yet majestic performance". Bush also commends Bennett on the songs "I Used to Be Color Blind" by Irving Berlin and "Experiment" by Cole Porter as "great versions of rare songs by top-drawer composers". He warns though that Bennett's voice "isn't always in top condition here; he strains for a few notes, and several times attempts to power through lines that would've been improved by clever phrasing."
In a separate review on AllMusic, William Ruhlmann explains "the result was a record that had nothing to do with pop music trends in 1975, which was exactly the way that Bennett wanted it. Decades later, it sounds fresher than many of his late '60s/early '70s attempts to be contemporary."

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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